Bendover:
We've had this debate before and I disagree with what you've said. In fact, I think you've miss-stated the argument. Of course the challenge is about storytelling. But it's reasonable to expect a story to be set in a credible setting. In my view it'll be better for evidence that the writer has given the setting some thought. It's even better, if the setting is strange (in the past or the future, for example), for the strangeness of the setting to connect to the plot. That, I suggest, makes a better story. As I've already said, in the stories set in the past, there are minor questions of fact (I was pulled up once for using the term "chit" in dialogue a seventeenth-century story) and major ones. Yes, it would bother me if a story set in the Iron Age seriously introduced dinosaurs. One of the stories does just that, but I fancy it's joking).
For what it's worth, out of curiosity I've tried to categorise the stories. By my imperfect count 26 are set in the future, 32 in the past and three in both. That's pretty even and it suggests imagining the future was at least as challenging for authors as getting the past right. The possibilities for the future are endless, but unsurprisingly, certain themes or situations recur: six feature time travel as an important theme and six introduce a society where corporal punishment has become prevalent (I wonder why). Three involve some kind of simulation by advanced technology, two games with robots, two something like supernatural powers and four are what I'd call space opera (set in the future, usually in space, but the plot could easily be transported to the present). Apart from those, we have one on the legal status of spanking, one on animals become rare, one on all-knowing screening technology, one on a world dominated by women, one on a spanking experiment and one on computer advice - and only one on aliens arriving (which is a bit surprising).
Of the ones set in the past, disappointingly to me, almost every one appears to be set in the U.S.A. or England (not even any Scottish, Irish, Australian or Canadian venues), though Italy features, and the Garden of Eden. There are some marked favourite places and periods. The First World War from a British perspective scores 6, the USA around 1900-1920 has 5, and 19th or early 20th century Britain (probably England) has 4. Genesis has 3, as does Britain 1900-14. Medieval England has 2, Victorian England 2, England of the Civil War and Commonwealth period 2, 19th or 18th century Britain 2 (some stories are clearly set in the past because of archaic language or behaviour, but it's not at all clear when), 19th century US 2, 19th or early 20th century US 2, and there's one for the early 19th century (location unclear), 16th century Italy, Prehistory somewhere, late 17th century England and the Roman Empire. Two of the US stories are set in what you could call the Wild West, though one is set when the West had become rather less wild.
Perhaps I should reassure Bendover that none of this affected my marking, except where the linking of the story to something historical was neat and clever so it amused me. I'd like to mention an example but I shouldn't, though it wasn't one of mine. |