It varies wildly for me. I still have unfinished stories first started in 1998. But of course I haven't been working on those for a long time, mostly. When a story or a long verse gets a hold of me, i may work on it for several hours, straight, or for up to 12 or 14 hours over the course of several days, as time allows. This may finish the work. or (more likely) at least a first draft. If not, it may well be put aside, or at least go into a less intense mode. When the work comes to a conclusion, i will usually do several revision passes, but these mostly are at the word choice level, improving or at least changing sentence structure, grammar, diction. For verse this may mean tweaking meter and scansion, improving rhyme, and the like. (for SSC stories it used to involved cutting to fit the word limit, often) Sometimes I will expand a descriptive passage. More rarely I will add a scene in the middle. I almost never rearrange scenes or delete whole scenes. Sometimes, but not very often, i will decide to extend the work beyond what had seemed its initial ending. Editing passes usually are no more than an hour or two at a time, but there may be several of them for a given work.
However if a work is put aside unfinished there is no telling how long it may sit like that before it captures renewed writing energy.
The above applies mostly to solo work. When i am working with a co-author, the pace will often be driven by my coauthor's needs and desires, and by her available time, or partly driven by them. Sometimes in such a case the initial skeleton may have been generated via interactive chat. In that case more scene-level editing might be done, shifting things around, deleting parts that didn't work. The sentence-level work will mostly come after that, although not always.
Anyway, a 3000 word story may include 4-15 hours of drafting, and maybe 6-12 hours or revision work, but some will be a bit less, and some much more. I'm not counting time spent rereading my own work without editing it, waiting for the mood to do more writing to come.
But form what I have heard and read from both amateurs and professional writers, every writer is different in this. The mark of the professional is that s/he does some writing (or writing-connected work, such as outlining or marketing) almost every day, except for planned breaks or vacations. |