drkeate:
But I've not only commented on other stories that they give me a guilty pleasure, but I've had those comments on my stories too. What is this guilt? That's what I wonder.
It is guilt, no question, because we find alluring ( in fiction) that which the more public parts of our minds condemn as totally unacceptable. Guilt certainly at hypocrisy, the fact that not every part of our psyche falls into line behind the things we'd like everyone to think we think.
If a story protagonist gets mugged and beaten up that's bad, it's assault isn't it? and probably "Actual Bodily Harm" as well. We feel affronted on their behalf. If however the same character is subject to a non-consensual spanking, probably with a nice swishy cane or a never-used-on-the-hair hairbrush that's a good thing; it isn't assault because
we find the action of the spanking entertaining and / or arousing. There is nothing for it, we exercise serial double standards, and say it's OK because it's fiction.
The same reasoning doesn't quite apply in crime fiction where horrible things happen because most often the protagonist is the detective, and the crime is viewed as altogether a
bad thing and the perpetrator is the villain. If the 'spanking story scenario' happens and the detective is assulted by the baddie that's still a bad thing, and probably would be even if the assult were spanking (with the notable exeption of the works of Mr. Barretthunter where the policewomen are routinely spanked, but these are spanking stories, not crime stories, so they come into the other genre)
However, I think that most folk are the same with regard to the double standards, we enjoy a more extreme situation whilst it is safely contained within the bounds of fiction, and this helps reassure us that our own world within the circle of our camp-fire is safer than that.
A tenet of fiction writing is that things need to be larger than life in order to overcome the natural dilution in effect which happens when ideas take the torturous route from one mind to the other. This is one of the reasons that spankings in fiction are more severe than they'd need to be in real life, (and why crimes in crime fiction are more dastardly)( again, with the possible exception of certain stories concerning Botswanan private detectives).
This leads to the use of the non-consensual as a means of increasing the dramatic effect, and other devices to increase humiliation etc.