I am a bit of a Heinlein fanatic and have been for nearly 60 years, not as long as my spanking obsession but a goodly time. I started appropriately enough with his juveniles when I was a juvenile and have since read everything he wrote that I could get my hands on. Over the years it became increasingly clear that my two obsessions were intertwined, from the early days when there were a few, but significantly many, throw away spanking references to his later novels, several of which have passages which might appear in this library. Recently, at the recommendation of a library member, (his name will come to me eventually) I read Heinlein's Children a series of essays on his juveniles. It is the third book of Heinlein criticism or biography that I have read. I was struck in Heinlein's children by the depth of analysis, going so far as to offer some (to me seemingly flimsy) evidence that Rod in Tunnel in the Sky was black. With all this, neither this book nor any of the others I have read make the slightest mention of Heinlein's obvious interest in spanking. It is not a matter of avoiding sex, the first volume of a planned 3 volume biography of Heinlein mentions his belief in and practice of open marriage, his and his first wife's attendance at nudist camps, and speculates at least lightly on his possible lovers while married to his first wife. It seems rather that this avoidance of the kangaroo, if not the elephant, in the room is specific to spanking. While, surprisingly to those who know me, I do not have a crack pot theory to explain this peculiarity, it seems to me to be possibly related to the awkwardness with which dictionaries have traditionally handled the definition of our favorite word. Those of us of the preinternet generation, who spent our youths looking up "spanking" in any dictionary we could find, know what I mean, vagueness and circumlocution are characteristic of the definitions "to strike with the open hand, esp. on the buttocks" being one that springs to mind. The fact that it is used as discipline for children, the OTK posture, not to mention the important question of bareness, and a long list of other features are dealt with by ignoring. I have long thought that this sloppy lexicography was the result of a certain tingle elicited in the lexicographers which they preferred not to risk making public. Perhaps the same is true of Heinlein critics. |